It's a film that warrants multiple viewings, because so much of it is open to interpretation.

See our top picks for the best Prime Day gaming dealsįun fact: Jack Nicholson actually improvised his iconic 'Here's Johnny!' line in THAT bathroom scene, borrowing it from The Tonight Show Starring Johnny Carson - a show Kubrick wasn't familiar with because he'd been living in the UK at the time.

Stanley Kubrick's 1980 psychological horror is one of the greats of the genre - of any genre - an icon of cinema that pulses with menace from the moment Jack Torrance utters the line: 'That just happens to be exactly what I'm looking for.' Famous last words indeed. This is also one of the only theories to be supported in part by Stephen King’s novel alongside the figurative representation of hell.Cast: Jack Nicholson, Shelley Duvall, Scatman Crothers, Danny Lloyd However, there are two different levels to this theory, and one is far more apparent than the other.

It is less of a stretch to consider this interpretation as a distillation of clear subtext on child abuse that some viewers might miss. The last of our The Shining movie theories is the most cogent of the bunch: The Shining abuse theory. THE SHINING SEXUAL ABUSE THEORY Theory #6 Child Abuse But, to be perfectly honest, every other piece of “evidence” in support of this theory is beyond far-fetched and not to be taken seriously. Those who believe this theory point to a handful of other small details. Along with a painting on the wall of the Overlook that could be interpreted as the head of a bull atop the body of a man, though not in a literal sense. Supporting this theory are the way Danny/Theseus overcomes Jack/the minotaur - which parallel each other to a certain degree but not explicitly. A stone labyrinth in the case of the minotaur and a snowy hedge maze in the case of The Shining. The most obvious parallel is that both stories feature their combating opponents showing down in a sprawling maze.

This fan theory posits that Danny is Theseus and Jack is the minotaur in Kubrick’s extended metaphor.

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